every single goddamn song on gavin james's album Bitter Pill is about narry, and also the more i listen to it the more i hear little echoes of it in Flicker, like it's obviously 1000% the album that niall listened to in 2016 to get through the breakup (or the not-breakup, since they weren't a Thing, they were just... a thing, a forever and ever soulmates thing, a best friends in love thing).

IM JUST GONNA DO THIS IN MULTIPLE PARTS SO THAT YOU CAN FULLY ABSORB THE PAIN OF EACH SONG
Read more... )
nicole commented "barry/niall is the New Narry" and then i wrote this very long comment that i've decided to make a post instead, so i can save it in my brand new niall_barry tag. here it is:

in this hypothetical 50k barry/niall character study fic i am imagining a narry backstory where it wasn't like, they were dating and harry broke niall's heart, but more like, narry had this weird intense soul bond friendship/relationship they never labeled, and even now that they're not really talking anymore, that soul bond remains somehow so integral to niall's sense of self that he can't/won't talk about him to anyone else. it's like harry is this thing that goes without saying in niall's life/past, this thing that everyone who knows niall just... accepts and doesn't ask about, because it feels too big. harry is this tangled knot of feeling at the very center of niall, and part of niall is afraid that if he pokes at it too much, if he tries to unravel it, he'll unravel himself in the process. he'll come apart, come undone. and barry has to sort of... navigate around that and figure out how to make sense of it without saying something that's going to make those walls come up that keep him out. and maybe everyone else in niall's life has just like.. let it be, because they figure it's too much to get into, or they figure niall knows his own business. and barry kinda gets that, he does think that for the most part niall knows his own business and can handle himself just fine, but when it comes to harry he's not so sure niall knows what he's doing. and he sort of feels like, there are things about niall and harry's bond that niall's gonna need to sort through someday. like, the way it evolved in this weird cramped claustrophobic space they carved out for themselves at the center of their insane lives. the way niall's whole adult sense of self seems to have developed around harry in ways that don't strike barry as completely healthy, not that he's one to judge the coping mechanisms people develop to deal with things they can't shut out.

i just love narry examined from the outside, especially a kind of.. not darker but less idealized version of narry? a version of narry where they really are best friends and they do love each other, but niall has this idealized vision of their bond in his head. and he invested so much energy into it back then, because he needed some kind of solid foundation, some stable point he could use to orient himself when everything else about their lives was so transitory and impermanent. and barry kind... sees that, and gets it, but is also starting to piece together this maybe more accurate vision of harry as someone who leaves, and who isn't always good at following through or being the person he promised to be, and who had good intentions but also really kinda messed with niall's head. and maybe the only way that niall is going to be able to unpack what was Not Good for him about 1d, or those incredibly complicated layers of good and not-good, is by unpacking what was good and not-good about his relationship with harry.

OK I HAVE NO IDEA IF ANY OF THAT MAKES SENSE!!!!! IDK I just went through all of Flicker having all of my "HARRY HOW COULD YOU" feelings, but now i am also enjoying thinking about a very different version of narry!!! AND ALSO ABOUT BARRY/NIALL, WHICH I GUESS I AM SUPER INTO NOW??
ok i am finally read to do my track-by-track selection of the angstiest narry lyrics from every song on Flicker. READY??? GO. sorry i was wildly inconsistent about the formatting lmao.

on the loose
she doesn't know how to lose

[what a painful parallel with Louis's "He doesn't really lose, Harry." and just fuel for all of my past-lourry narry headcanons where harry is the one thing that niall and louis never, ever talk about.]

she'll run with your mind and pull you in tight
then trade you in for something new

I know what it's like, I fell for it twice
and now I'm just warning you.


[this is a reference to harry writing WDBHG to try and win niall back, because this time he was ready to commit - and then slowly fading out of niall's life again. the worst part about harry is he doesn't even break your heart properly. no big fight, no closure. he just gradually withdraws, makes himself less available, and then you realize one day that he's gone and you didn't even get to say goodbye.

can we also talk about how there are so many emotional parallels to Fool's Gold on this album? there are. ouch.]

this town
waking up to kiss you and nobody's there [see above re: harry ghosting]

and I want to tell you everything / the words I never got to say the first time around ['this town' might not be my favorite song but this lyric just.. destroys me. for me it is a strong contender for the top 5 most painful narry headcanon lyrics on the album]

you still make me nervous when you walk in the room / them butterflies, they come alive when I'm next to you [GAHHH. THE SWEETEST, GENTLEST, PUREST LOVE.]

seeing blind
I was young, my heart was always on the run / but you make lovin' fun / I never knew it could be / hey, I see you from a different point of view / I feel it's too good to be true / I found my missing piece.

[WE FIT + a fleetwood mac reference. 2 + 2 = harry broke niall's goddamn heart and niall would do it all over again without hesitating, because when it was good, it was so good, so sweet, so full of joy and laughter and love.

slow hands
sorry, this song isn't about harry, it's about the girl who took niall horan home from a bar and introduced him to pegging.

too much to ask
there's no point in writing angsty narry canon fic anymore, because niall has written the definitive works of narry canon angst, and one of them is this song.

you smile back at me and your face lit up the sun [is there anything more narry in the whole world? no. there is nothing more narry.]

and the line that I will never recover from, another strong contender for most painful narry lyric on the album: 

don't it feel fucked up we're not in love?

paper houses
so turn your head, and let us go / I learned to breathe on my own. [tbh this is probably the song I skip most often, sorry haley, but this is painful innit?]

since we're alone
why would you wanna play someone else / I love you best when you're just yourself and also just, bahhhh: since we're alone / you can show me your heart / show me your heart and show me all that you are

flicker
i just............ this song still makes me tear up in the car and i've been listening to the album on repeat for days. i can't listen to it without picturing niall closing his eyes and singing it in that live acoustic version. or the way his face looked in the last couple seconds of that video, where he's just like... he's hurt. he's hurting. harry, why. i don't understand.

fire away
FIRE AWAY IS MY FAVORITE SONG ON THE ALBUM, I DON'T KNOW IF IT'S OBJECTIVELY THE BEST BUT I LOVE IT MOST, IT IS ALL OF MY SOFTEST, GENTLEST, BEST FRIEND NARRY HEADCANONS EXPRESSED IN A SINGLE SONG. i'm just going to talk about the song as if it's definitely 100% about harry haha. ok.

niall addressing harry as 'darling.' harry holding niall close but at a distance, thinking he doesn't ever listen. but he does. harry feeling confused, as he often is, because emotions are hard for him to sort through. but niall's here to reassure him: you might be lost but i ain't losing you. fire away. tell him whatever you're thinking, feeling, needing. tell him when you're hurting. tell him when you're overwhelmed. talk to him, harry. talk to him. and I will steady your hand / when you're losing your grip / and even if i don't understand / you can talk to me.

you and me
this one has grown on me a lot. i feel like everyone has already pored over the 'sweet creature' / 'you and me' parallels. which btw I love how if you think of these as paired songs, the different vibe of each so perfectly reflects their different worldviews. i could absolutely, 100% write a five page analysis essay explaining how this pairing of songs confirms my 'harry and niall are the same person but different' theory. they fit. i'm emo.

when I look down the line / at the man I wanna be / I've always known from the start / that it ends with you and me.

on my own
this is not really a narry song, but i fuckin love it. i love dirty, grungy, irritable, unshowered, hungover niall!!! also now that i've thought about it more i've realized it IS a narry song lmao. i'll wake up at midday and marry my bed is obviously the hungover, unshowered, 'don't pick up the phone, you know he's only calling 'cos he's drunk and alone' response to woke up alone in this hotel room / played with myself, where were you?

the tide
I stay close, hold steady / 'cause I don't wanna it, don't want it to end and also I just want a safe place to hide us away AND OF COURSE, FUCKIN:

when I go, all I ever seem to fear / is that you're gonna find someone / and slowly watch me disappear

SURPRISE SURPRISE, I'm still thinking about [personal profile] coldbam 's narry farm au, which i just sent to hannah/harrybasquiat because i knew she would love it with her whole heart (she did). and then i was saying to her that the best, loveliest, happiest narry dynamic is one where they're both patient, hardworking people doing their best in whatever little spheres they occupy, except harry just happens to be a weirdo with weird niche interests while niall's more of a normal-seeming everyday sort of person.

but ALSO, and this is CRUCIAL, they both don't quite fit into the worlds they inhabit in some way. it's just that niall's not-fitting is a sort of quiet 'well, i can make do' sort of not-fitting, where he's conscious that he doesn't quite slot into whatever social mold he's supposed to fit into but he's amenable, he adjusts, he assumes that the world is probably right and anyway it's not the world's business to make him feel fulfilled or content in his skin. whereas harry's brand of not-fitting is much more visible but is also much more unconscious. he's just a harmless eccentric who goes about his life without seeming to even register the fact that he's completely unlike from everyone else around him. he's just living his life, pursuing his bizarro interests, interacting with people in his gentle weirdo fashion. lemme see if i can find like six more ways to say this lol. it's like niall doesn't exactly fit 'normal' but he passes for normal, and his default response to everything is just to be reasonable, to adjust or lower his expectations accordingly, so that he can establish a sort of equilibrium for himself even if sometimes he has this feeling that he's not, like, the happiest he could be? and then he meets harry, who is 100% the oddest, most out-there person niall's ever seen and yet doesn't even seem to notice. except that OF COURSE, internally, harry is a little lonely in his weirdo way!! he doesn't ever really conceive of it as loneliness, because i headcanon harry as having only a confused sense of his own inner terrain -- he feels things deeply but he never really understands what is Going On inside himself because putting things into words is not his strong suit.

but when narry find each other their ways of not fitting align in the most wonderful ways!!! they just Get Each Other on some intuitive level and they bring out these aspects of each other that the other needs. like niall helps harry live in the world, he translates confusing things other people do into things harry can understand and he also helps harry translate his own feelings, or not translate exactly but just figure out how to express. and he just makes things easier for harry, like helping him reset his password eight times by clicking the link!!! and harry's in awe!!!! and he makes harry not lonely anymore, because niall always makes harry feel heard.

and harry does the same for niall, but in different ways!!!! in his gentle weird way he makes this little space where niall can explore the not-fitting instead of always just being amenable to things and adjusting how he feels to align with other people's expectations for him. harry just naturally, intuitively responds to the secret quiet weirdness in niall, and he never acts like it's weird or even that it's secret, he just responds to niall as he is and doesn't register that other people might judge niall for those things. and niall watches harry just living his life so contentedly, acting like it's perfectly ok to feel however you feel and live in the world however you want, and it makes him feel ok with himself. ANYWAY OK NARRY ARE SOULMATES AND IT'S SO IMPORTANT TO ME!!!!!!!!

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